"And yet delirium still prevails, the delirium of inwardness in public space, and in the contradictory idea that a painted image, despite its flatness, can still transport us." (Rachel Kushner)
David Korty's recent work portrays a stylistically complex space in which his calligraphic alphabet of pencil lines, paint strokes, and colour forms coalesce into dense, seamless compositions. The simple images of everyday life - women reading magazines, couples milling about, figures waiting in line, and a man surveying a botanical garden, betray the seeming mundanity of the subjects and reveal a kind of slow-burning introspection. The stillness of the figures and shapes in the paintings give way to a roving movement of the eye and hand. A voracious curiosity that asks us to look closer at the things which are already in front of us. Read more...